Thursday, March 27, 2008

Everything's Coming Up Death Cab

How psyched is everyone for the new Death Cab release? I'm really behind on my reporting of this one (I mentioned it earlier, but am just now posting tracks) - Narrow Stairs is set to hit stores on May 13th, 2008. The two tracks I've heard so far are indeed amazing. "I Will Possess Your Heart," at a staggering 8 plus minutes is largely instrumental, though the second half of the track demonstrates Ben Gibbard's lyrical talents in true DCFC style. The extended introduction will not be part of the radio edit; a crying shame in my opinion as I find the instrumentation a refreshing departure from Gibbard's usually heavy (though more sugary in this case) prose.


There are days when outside your window, I see my reflection as I slowly pass
And I long for this mirrored perspective, when we'll be lovers, lovers at last
[Chorus]
You gotta spend some time, love
You gotta spend some time with me
And I know that you'll find love
I will possess your heart

The second track is "Cath," which was performed pitch-perfectly by the guys on BBC 6. More dramatic and insightful than the lead-off love song above, "Cath" is about a beautiful woman who has trapped herself in a loveless marriage; driven by the need for security and fear of solitude, with a dying heart more metaphoric than literal. The song which moved me near to tears when I first heard it, recounts the dark side of a woman's wedding day, the more sinister motivation behind a usually happy occasion. How far can our fear of being alone really take us?

DCFC - Cath (Live on BBC) [ysi]

Cath, she stands
With well intentions meant
But she can't relax
with his hands on the small of her back
As the flesh holes burst
She holds a smile
Someone will hold the crying child

And everybody asks what became of you
Your heart was dying fast
and you didn't know what to do

Cath, it seems
That you live in a dying dream
In a hand me down wedding dress
On the arm of a man you detest

But you said your vows
And you closed the door
on so many men
who would have loved you more

And everybody asks what became of you
Your heart was dying fast
and you didn't know what to do

And whispers that it won't last
Were running down the pews
Cos my heart was dying that fast
I would have done the same as you
I would have done the same as you

MTV writer/tool James Montgomery acknowledges the album is stellar (not completely stupid) but also thinks it could kill DCFC's career. He thought they had gone crazy by releasing the extended version of "I Will Possess Your Heart," as if Death Cab is some mainstream machine who is supposed to work within pop/radio standards. I don't think so. I think people forget DCFC had a life BEFORE Plans, before they got major radio play or audience reception. They have been making amazing music for years, and I certainly don't think a step towards creativity will take anything away from their true fans.

Loves it,

Lydia

TV Tunes Never Say Die

Okay, so its Goonies that never say die. But priceless TV tunes are timeless too. That's why I'm introducing a flashback segment on important moments in music television supervision. Current TV tunes are still on the menu, with the writer's strike over (Hallelujah!) and new episodes coming in the next few weeks. Still I was reminded how influential/significant deceased shows have been on music too, after watching a few reruns of American Dreams, Life As We Know It, and others.Today's episode is O.C. - centric. Not much of a flashback I know, but if you think all the way back to January 2006, the third season of the teen drama was in full swing. Producers were slowly starting to realize that Marissa Cooper was an expendable character - after all, she had already explored more issues in two 1/2 years than crazy people do in an entire lifetime. Alcoholism, cocaine addiction, the attempted murder of her boyfriend's brother, expulsion, an attempted rape, bisexual attraction, the drug-induced coma, best friending a deranged creep who wanted to kill her and himself, promiscuous parents, pot-smoking and DUI (Oh wait, thats Mischa Barton) and so on and unfortunately so on...

Let's be honest this season blew. Season 4 was by far the best (no whiny Marissa and the amazingly hilarious Taylor) with Season 1 running a close second. However, one stand out moment comes to mind thanks to the artistic prowess of the band Electric President. Used in both the opening and closing moments of the episode "The Pot Stirrer" the song transformed an otherwise boring episode (about what I already forget) with 2 minutes of poignant coda. The track "Insomnia" is amazing. Like Postal Service meets Andrew Bird. And what's just as entertaining? Watching these characters feign pensive faces. Seth lighting up a joint is the only part I actually buy. I would be high everyday too if I had to live within 500 yards of these people.



Electric President - Insomnia [ysi]

Welcome Back

MIA isn't just an amazing female artist, it's also been my status for the last couple weeks. I just started a new job (yay capitalism!) and have been working 8, and sometimes 10 hour days. Yikes! It's been a trip though, seeing as I work with some awesome people. And things should stabilize a little in the coming weeks into more like 30 hour work weeks. Tomorrow is also the application deadline for the coveted internship position at KEXP radio station here in Seattle. I can't wait to find out if I can spend my free time working the 20-30 hour/week unpaid internship circuit; it's worth it just to be around so much amazing music. I'll let you guys know how it goes. For now, I'm back online - and as Mase would say "Harlem's Back," which I realize has absolutely no bearing on the situation, I just wanted to own it.

Tuesday's Releases Worth Owning: March 25, 2008

The Raconteurs - Consolers of the Lonely

Foals - Antidotes

Jack White = always good. And Foals, well they just continue to surprise me.

There have been so many great new releases, it's hard to keep up. Everyone is of course buzzing about the Crystal Castles self-titled release which came out last Tuesday. If you enjoy Justice, Boys Noize, Digitalism, or any indie electronica really, you and this quirky effort will bond instantly. Think 80s dance music meets 90s video game soundtrack, spawning a child who is unique as it is addicting. Party on CC - I know I am.


After finally seeing Grindhouse last week (OMG loved it - Planet Terror especially) I have been rocking the soundtrack like nobody's business. I haven't loved everything Robert Rodriguez has done - including his homewrecking hook-up with his movie's star, Rose McGowan. The director that thinks he is Renaissance man, able to executive produce, write, music score, etc. can be offputting and just plain annoying. I understand having a specific vision for a film, and thinking the best way to communicate that is by covering all creative aspects yourself, but this can also be stifling and detrimental to the final product. Sometimes you have to step away objectively and ask if you really are the best person for the job. But just like several Tarantino films, Planet Terror is an exception to this complaint. Equal parts ridiculousness, gore and brilliantly simple dialogue, the movie and its soundtrack, are one for the books. "It's Go Go not Cry Cry." PS. Bruce Willis is the best zombie I've seen since the original Dawn of the Dead. And I continue my obsession with Freddy Rodriguez/"El Rey", the hottest gunslinging, Mexican assassin-type ever.


Rose McGowan - You Belong to Me [ysi]

Chingon (See also in Kill Bill Flashback) - Cherry's Dance of Death [ysi]

I don't think I really need to plug the new Gnarls B. The Odd Couple pretty much sells itself.

Other things I'm obsessed with lately? Funnies. Sarah Silverman's "I'm Fucking Matt Damon" video, as well as Jimmy's response.


My favorite is the hip-hop breakdown. Matt is priceless.


Jimmy Kimmel and Ben Affleck (and a bunch of famous people) - I'm Fuckin Ben Affleck [ysi]

And for more entertainment? I can always count on South Park. Like the episode when Cartman does a tribute to Kenny Asia-style. As Cartman lobbies Congress for Stem-cell research on Kenny's behalf he breaks into song. So Amazing!

Asia - Heat of the Moment (Cartman Tribute) [ysi]

PS. I told you MTV ruins people. Now they're taking Yelle from me! Those bastards! Check out my original post on the break-out female artist, back in February. And now eMpTV is jumping on the train.

Peace, Love, Cartman and NO more Oxford Commas (Vampire Weekend shout-out),

Lydia